Handover checklist

The files you should get when a design project ends.

When a design project ends you should receive editable source files, export files for every place the work will be used, the fonts or their names and licences, the exact colour values, and a short note on how to use it all. For a logo that means a vector master (AI, EPS or SVG), PDF, and PNG exports in colour, mono and reversed versions, plus the colour specifications for print and screen. If any of that is missing, ask before you sign off. Good designers expect the question.

Published

The short answer

Source files, exports, fonts, colours and a note on how to use them.

  1. 01

    Editable source files

  2. 02

    Exports for every place the work will be used

  3. 03

    The fonts, or their names and licences

  4. 04

    The exact colour values

  5. 05

    A short note on how to use it all

The source file is the file the designer built the work in: the Illustrator, InDesign, Photoshop, Figma or Keynote document you can open and edit later.

An export is a flattened or packaged version made for one specific use, such as a PNG for a slide, an SVG for a website or a PDF for the printer. Exports are what you use day to day. Source files are what you, or the next designer, need to change anything.

The list scales with the project. A single poster needs a print file, a few digital versions and its source. A full identity needs everything on this page.

File formats

What each file format is for.

FormatWhat it isUse it forKeep in mind
AIAdobe Illustrator sourceEditing the logo or artworkNeeds Illustrator or a compatible editor
EPSLegacy vector exchangeSending to printers and sign makers who ask for itOlder format; SVG or PDF often replaces it
SVGWeb vectorWebsites, apps, anything on screen at any sizeText should be outlined or fonts embedded
PDFPortable documentPrint-ready artwork and sharing proofsAsk for print PDFs with bleed and crop marks
PNGRaster with transparencyPresentations, documents, social profilesFixed size; ask for large versions
JPGCompressed rasterPhotographs and images where transparency is not neededDo not use for logos with flat colour
WebPModern web rasterWebsite imagesSmaller files than JPG or PNG; not every tool opens it
INDD / PSD / Figma / KeynoteLayout, image and interface sourcesEditing brochures, retouched images, interfaces and decksAsk which tool each deliverable was built in

A logo should always exist as a vector. A PNG-only logo cannot be enlarged cleanly and will cost you later.

Logo versions

A logo is a set, not a single file.

One logo file will not cover every background, space and medium. A usable identity handover includes each version you are likely to need:

  • Full colour, in RGB for screens and CMYK for print
  • Single colour black
  • Single colour white, for reversed use on dark backgrounds
  • Horizontal and stacked layouts, where both exist
  • The icon or mark on its own
  • Clear space and minimum size guidance

Each version should come as a vector master and as exports. If a layout or mark was never designed, there is no file for it. The handover note should say so, so you are not left wondering.

Colour, type and guidelines

The values that keep everything consistent.

Colours need exact values for each medium: HEX and RGB for screens, CMYK for print, and Pantone references where a spot colour matters, such as signage or merchandise that has to match.

The designer should name every typeface used and tell you where to license it. Font files are usually licensed to the designer and cannot be passed on, so expect names and links; you will not always get the files themselves.

On any identity project, ask for a short guidelines document. Even two pages covering the logo versions, clear space, colours and type helps stop the work drifting as other people start to use it.

Ownership and licensing

Who owns the work.

In the UK, copyright in a commissioned design stays with the designer unless the agreement assigns it to you. Check the terms before the project starts, and ask for an assignment of the final artwork if you need full ownership.

Stock images, illustrations and fonts used in the work carry their own licences, and those may not transfer to you.

We supply editable source files and print-ready exports for finished work as standard, and we confirm the licensing position for any third-party assets in the handover.

See how OnPoint approaches graphic design

The handover note

A page that explains the folder.

A folder of files is only useful if you know which one to open. A good handover note is a single page that covers:

  • which file to use where
  • the colour values for screen and print
  • the typefaces and where to license them
  • the print specifications used
  • who to contact about changes

It is the mirror image of the brief. The brief is what you send at the start; the handover note is what comes back at the end.

Use the design brief checklist

Print and campaign work

For posters, print and event campaigns.

Printed work needs print-ready PDFs: bleed, crop marks, the correct colour profile for the printer, and fonts outlined or embedded so nothing substitutes on press.

Ask for the packaged source files too. A packaged file gathers the layout, linked images and font references in one folder, which is what you need for a reprint or a small change next year.

Campaigns also need sized digital versions for social posts, stories and screens, so nobody has to crop the poster to fit.

See Event Graphics and Campaign Design

Practical details

Design file handover FAQs.

Can I get the source files after the project is finished?

Ask. Most designers will supply them, sometimes for an additional fee if source files were not in the original scope.

Next time, agree the handover files up front so they are part of the project from the start.

What is the difference between AI, EPS and SVG?

All three are vector formats. AI is the editing source, EPS is an older exchange format that printers still accept, and SVG is the version websites use.

Why does my logo look blurry?

You are probably using a PNG or JPG scaled beyond its size.

Use the vector version, or ask for larger exports.

Do I need CMYK and RGB versions?

Yes, if the logo will appear in print and on screen.

Colours shift between the two, and a designer sets each one deliberately rather than leaving a converter to guess.

Can the designer keep the fonts?

Usually the font licence belongs to the designer.

You need the typeface names and a licence of your own to use them in your own documents.

Checklist

Before you sign off, check you have these.

Send this list to your designer before you sign off. Not every project needs every line.

  • Editable source files for every finished piece
  • A vector master of the logo: AI, EPS or SVG
  • PDF and large PNG exports of the logo
  • Full colour, black and white (reversed) logo versions, with RGB and CMYK versions of the colour logo
  • Horizontal, stacked and icon versions, where they exist
  • HEX, RGB and CMYK values, plus Pantone references where they matter
  • The name of every typeface and where to license it
  • Print-ready PDFs and packaged source files for printed work
  • Sized digital versions for social and screens
  • The licensing position for any stock images, illustrations or fonts
  • A handover note that explains the folder

Missing files?

Start with a usable set of files.

If a past project left you with the wrong files, we can rebuild a usable set from what exists.

See Graphic Design
Tell us what you need

Tell us what the work is, what files you have and where it needs to be used.